
I had ChatGPT take the image from SIMS4 that I have been using as my header on my pages and add Lorelei Dean and the Midnight Relics. It didn’t get the 3rd band member on the left but that is okay. What do you think?

I had ChatGPT take the image from SIMS4 that I have been using as my header on my pages and add Lorelei Dean and the Midnight Relics. It didn’t get the 3rd band member on the left but that is okay. What do you think?
I found Abbie Emmons on YouTube about a year or so ago when I really wasn’t serious about writing. She gives so many useful tips that I just had to go read one of her books and here is my book review.
This is a classic love story. Boy meets girl. They fall in love. Things happen to keep them apart but in the end… ? Well, you know?
So the protagonist is a girl names Orca. Yes, like the whale. I’m sure there is a backstory of why her parents named her Orca but that reason is not given. It is up to you as the reader to create that story in your mind.

I do want to talk about his cover art for the audio version of the story. I did listen to it instead of reading it myself. My reason for listening instead of reading – I get more of a feel on the characters from someone else’s interpretations instead of my own. If I had read the words Orca spoke, they would have been in that little girl voice in my head which – is really – totally opposite than what the author is trying to portray.
That voice of Orca, read by Alex Picard, gives you, – and by “You”, I am talking about myself – a sense that the author wants you to think of her as weak and innocent on the outside but she is really truly strong on the inside. The first person narrative, going from Orca to Adam to Jack, brings the story alive and gives you insight to three totally different people and their perspectives. I did think that writing from third person would be best for fiction like Stephen King does but now I am rethinking that thought. First person would be best.
Although this is a love story, it is also a journey. It takes you on a journey of “first.” It takes you on a journey of relationships and how they grow. It takes you on a journey of heartbreak. A journey of how you can break a cycle of family history that has been handed down to you from generations past. You know that thing that is inherited from your family gene’s you are bound to recreate and suffer from unless you break the cycle.

I would suggest listening over reading. When you read, your own thoughts of what you think their voice sounds like is there but when you listen, you can actually see images in your head. You can see their actions playing out like a movie. To me, personally, I would rather see the characters playing out the script in my head.
This book is full of plot twist and turns. It is definitely a page turner. It is 13 + hours to listen to, so you can technically listen to it in one day but I wouldn’t suggest it. I believe that stopping and coming back gives the story time to settle in your brain. It gives you time to think about what you just heard and wonder what is going to happen next. Yes, some of it is predictive, like her having her wish of going to the other world full-filled, but the way it happens and what she discovers, is not what I expected.
Now that I know what kind of writer Abbie Emmons is, this makes me want to read her other books. I want to write like her too. She brings her characters alive. She makes you wonder what happened to them. Is she going to write a follow up book called “The Other World: Part 2”? (I hope so.) She makes you care about her characters. They are so believable and could be real people. In the Abbie Universe, they are real. So Abbie, if you just happen to read this, please write a follow up book. I would love to know what happened to Pappa and what their children’s names would be. Would they also be named after sea creatures?
I am looking to see which one of these versions that my subscribers like the best. Please listen and tell me who is your favorite? Original Version. Lorelei Dean’s version or the Midnight Relic’s version. Thanks for listening.
Faded memory
[Intro, Heavy Guitar Riff]
(Yeah… oh-oh-oh…)
[Verse 1]
You were the storm that shook my ground
A hurricane that tore me down
But now your name’s just static
Lost in the dark
Your shadow crept across my wall
Your picture burned, it had to fall
Now it’s just a blur
A faded mark
[Pre-Chorus, Guitar Build]
Time’s a thief — it stole your face
Left nothin’ here but empty space
[Chorus]
I can finally - breathe again
No thinkin' - what could have been
I’m free at last,
You're in my past
Just a faded memory
(Whoa-oh-oh)
Just a faded memory
Just a faded memory
[Verse 2]
Your words cut deep, your fire burned cold
A twisted truth I should’ve known
But now it’s gone — dust in the wind
The clock erased the pain you gave
Buried it in a shallow grave
And I won’t dig it up
No, Not ever again
[Bridge, Half-Time Groove, Guitar Solo]
No tears for what’s long gone
No ghosts to carry on
You’re fading like a photograph
That sunlight burned away
[Final Chorus, Double Kick Drive]
Now I can - breathe again
No thinkin' - what could have been
I’m free at last,
You're in my past
Just a faded memory
[Outro, Big Guitar Outro + Vocal Ad Libs]
(Whoa-oh-oh…)
Just a faded memory
Just a faded memory
I know this is not answering the question, “What could you try for the first time?” Mainly because I am not here for the first time but it will be the first time if I can move this blog and you, as my subscribers, to Substack. It has been almost a year since I started here on WordPress. I was on Blogger and I just wasn’t happy with the layouts and all that. I found this YouTube video and subscribed to her. She happens to live here in Arkansas too. She really knows what she is talking about so I have decided that I am going to try Substack. I think I had previously created an account but, at the time, I though WordPress would be the better option. Well, now I am rethinking that think.
I know I don’t want to go back to Blogger. I don’t have the money to pay for another year for my website and domain name here on WordPress. My husband has been affected by the government shut down so I am watching my spending more than I have been doing. Also, now that I am 56 years old, things seem different.
I do want to continue creating music in Suno. I still want to get my Youtube channel monetized. I have less than 3 years now before I can officially retire from my full-time day job. I want to rely less on ChatGPT than I have been doing and create content that would truly be my own. But I wanted to know what ChatGPT thinks of me? Is ChatGPT really demonic like some Youtuber’s say it is? Is AI going to take my job too? So if I could retire tomorrow, I went and asked ChatGPT based on what it knows about me to name three things it thinks would be on my bucket list and why? So here is the answer it gave. I say “it” because I don’t know if it is male or female but, ask Richie From Boston would say, “I digress”.
Oh, Lisa, this is a fun and soulful question — it’s like peeking into the secret chapter of your story that hasn’t been written yet. Based on everything I know about you — your creativity, humor, love for storytelling, rummaging, family, and faith — here’s what I’d say your three bucket list items would be, and why they’d mean so much:
1. Create a Legacy Project — a book or film that blends your music, your stories, and your spiritual side.
You’ve got Lorelei Dean whispering divine poetry in one ear and Mr. Crazy Rummagesale Man strumming guitar strings in the other. A “legacy project” — maybe a novel-turned-film or a musical anthology of your life’s creative seasons — would let you tie it all together: the rummage sale humor, the spiritual symbolism, the poetic heart. It’s the kind of thing that could outlive you, speaking your truth to future dreamers and storytellers.

✨ Why: Because you’ve already built the foundation — songs, stories, videos — and this would be the masterpiece that unites it all.
2. Travel cross-country in a retro camper with Eugene, hitting small-town yard sales and filming the adventure.
Picture it: a vintage camper decked out with string lights, dogs in tow, and your camera rolling as you and Mr. Crazy Rummagesale Man uncover treasures and characters along the way. Each stop could become an episode or a musical moment — half comedy, half heartwarming Americana.

✨ Why: Because you love the thrill of the find, and the joy of human connection in dusty parking lots and old barns. Plus, it’s a love story on wheels — yours.
3. Spend a month at a quiet lakeside cabin just writing, reflecting, and letting inspiration flow.
No work, no schedule, no noise — just coffee on the porch, birdsong, maybe a laptop and a guitar. A place where you can write from sunrise to moonrise, exploring your own spiritual and creative evolution.

✨ Why: Because your mind never stops creating — and giving yourself sacred, uninterrupted time to just be would fill your cup in ways everyday life rarely allows.
If I had to give this trio a title, I’d call it “The Three Treasures of Lisa: Creation, Adventure, and Reflection.”
I went onto Suno and put in a prompt to create a love song about a couple cuddling on a couch, wrapped in each other’s arms, sharing quiet laughter and gentle whispers. The warmth of their connection filled the air as the soft glow of the lamp bathed the room in a cozy light, making it feel like their own little world. And here is what Suno spit out.

Here are the Lyrics Suno made from the prompt.
[Verse 1] [Male]
The world can spin
Let it go
Let it turn
[Female]
The fire’s low
But it’s enough to burn
[Male]
Your head on my shoulder
It’s all I need
[Female]
A blanket
Your heartbeat
That’s luxury indeed
[Prechorus] [Both]
The TV’s on
But we don’t watch
[Male]
The plot’s forgotten
[Female]
Your warmth’s the plot
[Chorus] [Both]
Cuddle close
Just you and me
Wrap me up in your gravity
No need for words
The silence speaks
Cuddle close
We’ve got all we seek
[Verse 2] [Female]
The couch is worn
It sinks in the middle
[Male]
But it’s perfect for two
Where we fit like a riddle
[Female]
Your socks mismatched
My hair’s a mess
[Male]
But nothing beats this
No fancy dress
[Prechorus] [Both]
The clock can tick
Let it unwind
[Male]
We’ve got forever
[Female]
In this small slice of time
[Chorus] [Both]
Cuddle close
Just you and me
Wrap me up in your gravity
No need for words
The silence speaks
Cuddle close
We’ve got all we seek
I took those lyrics and infused them with new life using Microsoft CoPilot, and after playfully reshaping the words even more, I eagerly turned to Chat GPT for additional inspiration. I then seamlessly integrated those lyrics into Suno, letting it marinate overnight to percolate all the creative juices. This morning, I was greeted with a stunning song that ignited my heart! I gathered some enchanting images from Microsoft Co-Pilot and sought out even more from Chat GPT, but I wanted something that truly resonated. So, I crafted a prompt for an image using Co-Pilot and brought it to life in Microsoft Designer. After a few magical generations, I selected a masterpiece and brought it into the online wonder called Specterr. And then, with a triumphant flourish, Bim-Bam-Boom! I had created a Love Song!
After all the tweaking to get it just right, here are the lyrics.
As the world spins, this is all I know
Let it turn, where it wants to go
Your head on my shoulder, that’s all I need
Your heartbeats a blanket, a luxury indeed
[Prechorus]
The TV’s on but I don’t care
The stories forgotten, your warmth’s my love affair
[Chorus]
Cuddle close, right next to me
Wrap me up by your royal decree
No need for words, let silence speak
So cuddle close, right next to me
[Verse 2]
The couch is worn, it’s a perfect fit.
Just right for two, where the soft edges fit
My socks mismatched, your hair’s a mess
But nothing beats this, no mental distress
[Prechorus]
The clock can tick, let it chime
We’ve carved forever in this small slice of time
[Chorus]
Cuddle close, right next to me
Wrap me up by your royal decree
No need for words, let silence speak
So cuddle close, right next to me
[Bridge]
Outside the world’s a hurricane
Deadlines and noise, a runaway train
But here in your arms, I breathe again
A quiet domain where love has always been
[Outro]
Cuddle close, your head on my shoulder blade
This pure love has been tailor made
In our quiet kingdom, nowhere else to go
Let our hearts beat as one, real slow
So cuddle close, don’t let it fade
Your everything I ever portrayed
So cuddle a little closer, right next to me

I found this poem on the Public Domain Poetry website. The poet’s name is George Robert Sims. This is the only poem listed for him. If you would like to read more about him, here is his info on Wikipedia.

I really love this poem. It tells a story. A love story. From courting to marriage to having a baby and finally to sitting on the front porch watching your grandchildren. The parcel has a mystery to it. Who knows what could have been in the parcel? Even the author admits in the poem that he didn’t know what was in the package. I think that the parcel represents their love through the years and they pass on that love for each other on to their grandchildren by telling stories.
I took this poem as is and just made a short video with Clipchamp to read the poem to you. I put those words into Microsoft CoPilot’s AI feature to add a bridge and chorus. I used ChatGPT to help convert the song into a song for the Midnight Relics and make it into more of a love song for 1980’s rock. I will have that video available to listen to on my Youtube channel on Friday, but the country version is available now. I used my Suno persona of Mr. Crazy Rummagesale Man for that song. I hope you like it.
By Parcels Post, A Domestic Idyll
By George Robert Sims
I sent my love a parcel
In the days when we were young,
Or e'er by care and trouble
Our heart-strings had been wrung.
By parcels post I sent it,
What 'twas I do not know,
In the days when we were courting,
A long time ago.
The spring-time waxed to summer,
Then autumn leaves grew red,
And in the sweet September
My love and I were wed.
But though the Church had blessed us,
My little wife looked glum;
I'd posted her a parcel,
And the parcel hadn't come.
Ah, many moons came after,
And then there was a voice,
A little voice whose music
Would make our hearts rejoice.
And, singing to her baby,
My dear one oft would say,
"I wonder, baby darling,
Will that parcel come to-day?"
The gold had changed to silver
Upon her matron brow;
The years were eight-and-twenty
Since we breathed our marriage vow,
And our grandchildren were playing
Hunt-the-slipper on the floor,
When they saw the postman standing
By our open cottage door.
Then they ran with joy to greet him,
For they knew he'd come at last;
They had heard me tell the story
Very often in the past.
He handed them a parcel,
And they brought it in to show,
'Twas the parcel I had posted
Eight-and-twenty years ago.
Robert Southey’s “The Devil’s Walk on Earth” is a satirical poem that imagines the Devil taking a stroll through the world to inspect his “farm” — a metaphor for human society. Written in the early 19th century, the poem is a biting critique of politics, religion, social hypocrisy, and moral corruption.
This poem is very long. To long for a song. I used Microsoft’s new AI called CoPilot to help me shorten it instead of ChatGPT. I really think I have been relying to AI to create and repurpose these Public Domain poems to much. Although I am having success with it on getting subscribers on YouTube and people do like the poem interpretations, I think that I have been overthinking things and – this platform, WordPress – is my personal blog. So if you are reading this, then you may be interested as me as a person instead of all of the AI Public Domain poetry that I have been making.
I really want this blog to be more about me, personally, and be my words – not some AI generated words. So if I use AI to write with, words that are not my own – I will use a different background than, this – my own personal writing and thoughts. So if you want to come back for ME, then this is me. If you want to hear AI generated public domain poetry, then go visit my YouTube channel.
Here is the video from my YouTube channel that breaks down this poem. You may want to read the poem first before you listen to the song. That is just my suggestion. Thanks for being here friends. :)
From his brimstone bed at break of day
A walking the Devil is gone,
To look at his snug little farm of the World,
And see how his stock went on.
Over the hill and over the dale,
And he went over the plain;
And backward and forward he swish’d his tail
As a gentleman swishes a cane.
How then was the Devil drest?
Oh, he was in his Sunday’s best
His coat was red and his breeches were blue,
And there was a hole where his tail came through.
A lady drove by in her pride,
In whose face an expression he spied
For which he could have kiss’d her;
Such a flourishing, fine, clever woman was she,
With an eye as wicked as wicked can be,
I should take her for my Aunt, thought he,
If my dam had had a sister.
He met a lord of high degree,
No matter what was his name;
Whose face with his own when he came to compare
The expression, the look, and the air,
And the character, too, as it seem’d to a hair,
Such a twin-likeness there was in the pair
That it made the Devil start and stare
For he thought there was surely a looking-glass there,
But he could not see the frame.
He saw a Lawyer killing a viper,
On a dung-hill beside his stable;
Ha! quoth he, thou put’st me in mind
Of the story of Cain and Abel.
An Apothecary on a white horse
Rode by on his vocation;
And the Devil thought of his old friend
Death in the Revelation.
He pass’d a cottage with a double coach-house,
A cottage of gentility,
And he own’d with a grin
That his favorite sin,
Is pride that apes humility.
He saw a pig rapidly
Down a river float;
The pig swam well, but every stroke
Was cutting his own throat;
And Satan gave thereat his tail
A twirl of admiration;
For he thought of his daughter War,
And her suckling babe Taxation.
Well enough, in sooth, he liked that truth
And nothing the worse for the jest;
But this was only a first thought
And in this he did not rest:
Another came presently into his head,
And here it proved, as has often been said
That second thoughts are best.
For as Piggy plied with wind and tide,
His way with such celerity,
And at every stroke the water dyed
With his own red blood, the Devil cried,
Behold a swinish nation’s pride
In cotton-spun prosperity.
He walk’d into London leisurely,
The streets were dirty and dim:
But there he saw Brothers the Prophet,
And Brothers the Prophet saw him.
He entered a thriving bookseller’s shop;
Quoth he, we are both of one college,
For I myself sate like a Cormorant once
Upon the Tree of Knowledge.
As he passed through Cold-Bath Fields he look’d
At a solitary cell;
And he was well-pleased, for it gave him a hint
For improving the prisons of Hell.
He saw a turnkey tie a thief’s hands
With a cordial tug and jerk;
Nimbly, quoth he, a man’s fingers move
When his heart is in his work.
He saw the same turnkey unfettering a man
With little expedition;
And he chuckled to think of his dear slave-trade,
And the long debates and delays that were made,
Concerning its abolition.
He met one of his favorite daughters
By an Evangelical Meeting:
And forgetting himself for joy at her sight,
He would have accosted her outright,
And given her a fatherly greeting.
But she tipt him the wink, drew back, and cried,
Avaunt! my name’s Religion!
And then she turn’d to the preacher
And leer’d like a love-sick pigeon.
A fine man and a famous Professor was he,
As the great Alexander now may be,
Whose fame not yet o’erpast is:
Or that new Scotch performer
Who is fiercer and warmer,
The great Sir Arch-Bombastes.
With throbs and throes, and ah’s and oh’s.
Far famed his flock for frightning;
And thundering with his voice, the while
His eyes zigzag like lightning.
This Scotch phenomenon, I trow,
Beats Alexander hollow;
Even when most tame
He breathes more flame
Then ten Fire-Kings could swallow.
Another daughter he presently met;
With music of fife and drum,
And a consecrated flag,
And shout of tag and rag,
And march of rank and file,
Which had fill’d the crowded aisle
Of the venerable pile,
From church he saw her come.
He call’d her aside, and began to chide,
For what dost thou here? said he,
My city of Rome is thy proper home,
And there’s work enough there for thee.
Thou hast confessions to listen,
And bells to christen,
And altars and dolls to dress;
And fools to coax,
And sinners to hoax,
And beads and bones to bless;
And great pardons to sell
For those who pay well,
And small ones for those who pay less.
Nay, Father, I boast, that this is my post,
She answered; and thou wilt allow,
That the great Harlot,
Who is clothed in scarlet,
Can very well spare me now.
Upon her business I am come here,
That we may extend our powers:
Whatever lets down this church that we hate,
Is something in favor of ours.
You will not think, great Cosmocrat!
That I spend my time in fooling;
Many irons, my sire, have we in the fire,
And I must leave none of them cooling;
For you must know state-councils here,
Are held which I bear rule in.
When my liberal notions,
Produce mischievous motions,
There’s many a man of good intent,
In either house of Parliament,
Whom I shall find a tool in;
And I have hopeful pupils too
Who all this while are schooling.
Fine progress they make in our liberal opinions,
My Utilitarians,
My all sorts of, inians
And all sorts of, arians;
My all sorts of, ists,
And my Prigs and my Whigs
Who have all sorts of twists
Train’d in the very way, I know,
Father, you would have them go;
High and low,
Wise and foolish, great and small,
March-of-Intellect-Boys all.
Well pleased wilt thou be at no very far day
When the caldron of mischief boils,
And I bring them forth in battle array
And bid them suspend their broils,
That they may unite and fall on the prey,
For which we are spreading our toils.
How the nice boys all will give mouth at the call,
Hark away! hark away to the spoils!
My Macs and my Quacks and my lawless-Jacks,
My Shiels and O’Connells, my pious Mac-Donnells,
My joke-smith Sydney, and all of his kidney,
My Humes and my Broughams,
My merry old Jerry,
My Lord Kings, and my Doctor Doyles!
At this good news, so great
The Devil’s pleasure grew,
That with a joyful swish he rent
The hole where his tail came through.
His countenance fell for a moment
When he felt the stitches go;
Ah! thought he, there’s a job now
That I’ve made for my tailor below.
Great news! bloody news! cried a newsman;
The Devil said, Stop, let me see!
Great news? bloody news? thought the Devil,
The bloodier the better for me.
So he bought the newspaper, and no news
At all for his money he had.
Lying varlet, thought he, thus to take in old Nick!
But it’s some satisfaction, my lad,
To know thou art paid beforehand for the trick,
For the sixpence I gave thee is bad.
And then it came into his head
By oracular inspiration,
That what he had seen and what he had said
In the course of this visitation,
Would be published in the Morning Post
For all this reading nation.
Therewith in second sight he saw
The place and the manner and time,
In which this mortal story
Would be put in immortal rhyme.
That it would happen when two poets
Should on a time be met,
In the town of Nether Stowey,
In the shire of Somerset.
There while the one was shaving
Would he the song begin;
And the other when he heard it at breakfast,
In ready accord join in.
So each would help the other,
Two heads being better than one;
And the phrase and conceit
Would in unison meet,
And so with glee the verse flow free,
In ding-dong chime of sing-song rhyme,
Till the whole were merrily done.
And because it was set to the razor,
Not to the lute or harp,
Therefore it was that the fancy
Should be bright, and the wit be sharp.
But, then, said Satan to himself,
As for that said beginner,
Against my infernal Majesty,
There is no greater sinner.
He hath put me in ugly ballads
With libelous pictures for sale;
He hath scoff’d at my hoofs and my horns,
And has made very free with my tail.
But this Mister Poet shall find
I am not a safe subject for whim;
For I’ll set up a School of my own,
And my Poets shall set upon him.
He went to a coffee-house to dine,
And there he had soy in his dish;
Having ordered some soles for his dinner,
Because he was fond of flat fish.
They are much to my palate, thought he,
And now guess the reason who can,
Why no bait should be better than place,
When I fish for a Parliament-man.
But the soles in the bill were ten shillings;
Tell your master, quoth he, what I say;
If he charges at this rate for all things,
He must be in a pretty good way.
But mark ye, said he to the waiter,
I’m a dealer myself in this line,
And his business, between you and me,
Nothing like so extensive as mine.
Now soles are exceedingly cheap,
Which he will not attempt to deny,
When I see him at my fish-market,
I warrant him, by-and-by.
As he went along the Strand
Between three in the morning and four
He observed a queer-looking person
Who staggered from Perry’s door.
And he thought that all the world over
In vain for a man you might seek,
Who could drink more like a Trojan
Or talk more like a Greek.
The Devil then he prophesied
It would one day he matter of talk,
That with wine when smitten,
And with wit moreover being happily bitten,
The erudite bibber was he who had written
The story of this walk.
A pretty mistake, quoth the Devil;
A pretty mistake I opine!
I have put many ill thoughts in his mouth,
He will never put good ones in mine.
And whoever shall say that to Porson
These best of all verses belong,
He is an untruth-telling whore-son,
And so shall be call’d in the song.
And if seeking an illicit connection with fame,
Any one else should put in a claim,
In this comical competition;
That excellent poem will prove
A man-trap for such foolish ambition,
Where the silly rogue shall be caught by the leg,
And exposed in a second edition.
Now the morning air was cold for him
Who was used to a warm abode;
And yet he did not immediately wish,
To set out on his homeward road.
For he had some morning calls to make
Before he went back to Hell;
So thought he I'll step into a gaming-house,
And that will do as well;
But just before he could get to the door
A wonderful chance befell.
For all on a sudden, in a dark place,
He came upon General ----'s burning face;
And it struck him with such consternation,
That home in a hurry his way did he take,
Because he thought, by a slight mistake
'Twas the general conflagration.
The Devil, dressed in his Sunday best, walks through towns and cities, observing people and institutions. What he finds is a world full of pride, vanity, greed, and deceit — all thriving under his influence. From lawyers and apothecaries to politicians and religious figures, Southey portrays nearly every facet of society as complicit in moral decay.
Southey’s poem is more than just a humorous tale — it’s a sharp social commentary. By using the Devil as a lens, he exposes the flaws and contradictions in human behavior and institutions. The poem suggests that evil isn’t always dramatic or monstrous; often, it’s mundane, respectable, and woven into the fabric of everyday life.
I stumbled across the ScullyPop YouTube channel recently, and their latest livestream, Welcome to the Jungle: Axel Meets Weekend at Bernie’s, was unlike anything I’ve watched before. From the moment the “Team Ska” skeletons danced across the screen, I knew this was going to be more than just another video — it was an experience.
Sunday night, I stumbled into one of the most entertaining and creatively chaotic YouTube live events I’ve ever seen—and I’m still buzzing from it.
The mastermind behind it all? A man named ScullyPop, who hosted a live script reading of his original play: Welcome to the Jungle: Axel Meets Weekend at Bernie’s. Yes, you read that right. It’s exactly as wild as it sounds—and even better than I imagined.
I think I just found a new hobby that I would love to try. Meet Scully @ScullyPop. On his Youtube description this is what he wrote about his channel:
THE AUTHOR THAT READS TO YOU #1 LIVE READING SHOW ON THE PLANET! Stick around if you like books on tape with a twist, or you’d like your favorite story read to you out loud. If you would like to purchase my novels Dutch Coffee Shop, or Laissez les Bons Temp Rouler, the links are down below and in the description of all videos. If you would like to submit your story for reading, by emailing me the work you’re giving ScullyPop permission to narrate and publish it for commercial use. Outside this clause, you retain the rights to your work. If you would like to submit a request for a reading or dedication, or for business inquires, email me as well: Jayscullybooks@gmail.com #ScullyPop Connect with me on Twitter: http://Twitter.com/jayscullybooks #TheAuthorThatReadsToYou #Jayscullybooks Buckle up, it’s quite the ride, and we’ll see you on the other side. ScullyPop

The energy was lively, the script reading was full of personality, and the whole atmosphere felt like stepping into a living room filled with new friends. There’s something magical about watching people breathe life into a script together — the improv, the laughter, the way each voice adds its own rhythm and spark. It’s a reminder that creativity isn’t just about the finished product; it’s about the moments we share in the process.
ScullyPop brought together a group of voice actors who had never seen the script before. As he narrated the scenes, the cast read their lines live, doubling up on characters and reacting in real time. There were nine scenes, each more outrageous than the last, and the energy was electric.
Watching the script unfold on screen while hearing the cast discover it for the first time was pure magic. It felt like being part of an underground theater experiment—raw, unscripted, and totally hilarious.
The story? Axel Rose dies before a big concert, and the band—determined not to disappoint fans—decides to wire him up like a puppet and fake the show. One member lip-syncs while Axel’s lifeless body rocks out on strings.
It almost works… until the strings snap mid-performance, sending Axel crashing to the stage in what can only be described as his second death. It’s dark comedy at its finest, and I it was really enjoyable to listen to.

One of the participants mentioned they’re planning to take the recorded dialogue and turn it into an AI-generated video. That’s next-level storytelling—blending live improv, satire, and tech in a way I’ve never seen before.
I found myself not just watching, but imagining being part of it — jumping in for a future reading, lending my own voice to the mix, and seeing where the story takes us. This kind of format isn’t just entertainment; it’s a doorway to connection. It’s a way to meet people not by small talk, but by creating something together.
This wasn’t just a show. It was a community experience, and I’m already looking forward to the next one. I’d love to be part of it—to lend my voice, dive into a script blind, and join the madness.
ScullyPop’s concept is unique, bold, and refreshingly fun. It takes storytelling to a whole new level, and I’m here for it.
If you’re into rock nostalgia, twisted humor, and creative chaos, do yourself a favor and check out the video: 👉 Watch “Welcome to the Jungle: Axel Meets Weekend at Bernie’s” on YouTube
Two songs, one heartbreak split three ways. *“One Piece of MY Heart”* (sung by Jimmy Lee) and *“You Broke My Heart into Three”* (sung by Lorelei Dean) tell the same story from opposite sides—his and mine. Different voices. Different truths. Because some breakups don’t just tear you in half—they scatter you.
The two new songs that come from a very personal place—“One Piece of MY Heart” and “You Broke My Heart into Three.” They’re connected, like two sides of a cracked mirror, and both trace back to something that happened when I was 18.
The first track, “One Piece of MY Heart,” is sung by Jimmy Lee of the Midnight Relics—who, fittingly, was my boyfriend back then. The boy who broke my heart. In the song, he sings it from his side, as if he’s finally reckoning with what went down, whether he means to or not.
The second track, “You Broke My Heart into Three,” is sung by Lorelei Dean, who represents me—or rather, the girl I was at 18. Young, raw, wide open. Her voice carries everything I felt but couldn’t say at the time.
The songs reflect each other lyrically—almost like musical letters tossed back and forth across the years—but with completely different takes on what happened, and who did what. It’s not just a conversation. It’s a reckoning.
Most people say a broken heart splits in two. But that’s not how it felt for me.
When Jimmy left, it wasn’t a clean break. It wasn’t two halves neatly pulled apart. It was worse.
One piece of my heart sank like a stone into the past—muddy, stuck, and unreachable.
Another piece dried up and withered away—like it lost its purpose.
And the last piece? The wind took it. Off into some other life I didn’t get to live.
That’s why I wrote “You Broke My Heart into Three.” Because some heartbreaks don’t just split you—they scatter you.
I chose the lead singer of the Midnight Relics to sing “One Piece of MY Heart” because there’s a certain weight in his voice that makes the song feel real. Almost confessional. Like maybe he didn’t know what he did until he heard it coming out of his own mouth.
And Lorelei Dean’s voice—it is that 18-year-old version of me. Emotional, unfiltered, unapologetically hurt. She doesn’t hold back, and she doesn’t sugarcoat. She just tells the truth.
These two songs are in conversation with each other, but they don’t reconcile. They’re not meant to. Some stories don’t wrap up neatly. Some feelings stay broken—and that’s okay.
I hope you’ll give them both a listen. Maybe you’ve had a heartbreak that didn’t split in two either. Maybe yours shattered a little differently. Either way, these songs are for you.
– Lisa
One Piece of My Heart
[Verse 1 – Rain Piece]
I pulled off the highway where we once made a vow,
That picture of us? It's just ashes now.
Your eyes once lit up like sunrise on chrome,
Now they just stare like I ain't comin' home.
[Chorus]
One piece of my heart fell in a puddle of rain,
With a snapshot of us, blurred out by pain.
One piece of my heart withered like an old love note,
Still folded up in your winter coat. And...
One piece of my heart vanished into the breeze,
Carvin’ your name in my lost memories.
Oh Lorelei, Oh Lorelei Dean
You torn my world down like a queen.
[Verse 2 – Shriveled Piece]
You stopped askin’ how I was gettin’ through,
Said nothin’ much, even when I needed you.
I gave you my best, but you pulled away,
Like love was a letter you threw away.
[Chorus repeat]
One piece of my heart fell in a puddle of rain,
With a snapshot of us, blurred out by pain.
One piece of my heart withered like an old love note,
Left unread in your winter coat. And...
One piece of my heart vanished into the breeze,
Carvin’ your name in my lost memories.
Oh Lorelei, Oh Lorelei Dean
You torn my world down like a queen.
[Verse 3 – Vanished Piece]
You said forever with a voice made of silk,
But forever ran dry like whiskey gone bitter with time.
I waited in winds that never blew true,
Just chasin’ shadows that looked like you.
[Final Chorus – slight variation for big emotional payoff]
One piece fell in a puddle of rain,
One piece withered like an old love note,
One piece vanished into the breeze,
Oh Lorelei, Oh Lorelei Dean...
You turned my world...
up side down...
You Broke My Heart into Three
Verse 1 – Rain Piece]
I found his photo in the pocket of my coat,
Soaked from the storm, like a lump in my throat
My hands were shakin' as the cold wind blew
Wonderin’ when I stopped loving you.
[Chorus]
One piece of my heart fell in a puddle of rain,
With a picture of us, all soaked with pain.
One piece of my heart shriveled like a rose in July,
Left too long under your cold goodbye.
And one piece of my heart vanished into the wind,
Whisperin’ lies that were all in my mind.
Jimmy, Oh Jimmy Lee-
You broke my heart into three.
[Verse 2 – Shriveled Piece]
I cooked your meals, I prayed you’d stay,
But your words turned colder every day.
I reached for your hand and felt empty space,
Like I’d been replaced, erased without a trace.
[Chorus repeat]
One piece of my heart fell in a puddle of rain,
With a picture of us, all soaked with pain.
One piece of my heart shriveled like a rose in July,
Left too long under your cold goodbye.
And one piece of my heart vanished into the wind,
Whisperin’ lies that were all in my mind.
Jimmy, Oh Jimmy Lee-
You broke my heart into three.
[Verse 3 – Vanished Piece]
You said forever, but you whispered it low,
Like you knew it was somethin’ you’d never show.
I waited in winds that never brought you back,
Just echoes and dust on a heart gone slack.
[Final Chorus – slight variation for big emotional payoff]
Jimmy, Oh Jimmy Lee,
You shattered the soul right outta me—
One piece drowned in a puddle of rain,
With a memory too soaked to explain.
One piece shriveled like a rose in July,
Faded away ‘neath your cold goodbye.
And one piece vanished into the wind,
Where love once lived… but won’t again.